Abby
W. Day’s
Portfolio
Sconset Casino
Architect John Collins drafted plans following the association's request for "a building ... with an audience room with a floor to be laid with special reference to dancing, a stage, ante-room, dressing, reading, and smoking rooms." The no-frills, barn-like design with cupolas and open front porch was in keeping with its surroundings.
In mid-July 1900, the Casino and two tennis courts were opened with a celebratory first-season party. An entertainment on August 4 brought a wildly enthusiastic audience of 820 "who came by special train from Nantucket as well as by pleasure wagon, single team, and bicycle." In 1901 a tradition began when the Casino opened the season with a village-wide children's party featuring ice cream, lemonade, and sweets, along with games, races, and charades.
The Siasconset Casino (or 'Sconset Casino) was built in 1899 to serve as a hub for social, tennis, and dramatic events in the Nantucket village of Siasconset, functioning more as a social club or community center than a gambling facility. Founded to provide entertainment for summer residents and the "Actors Colony," it has hosted movies, performances, and community meetings for over a century.
Abby creates a t-shirt design every year for the tennis club.
Borsari Gallery
The Barn that currently houses the Borsari Gallery was originally built in the early 1800's by Sea Captain Uriah Howe. The first use of the barn was to serve as a commercial Abattoir for Cape Cod and the surrounding areas. Both the Sea Captain's home and abattoir were then owned by the Crowell family for nearly a century; until 1960 when it was purchased by Cape Cod local artist David Grose and used to showcase his art. In 2008 Bob and Kathy Borsari purchased the property and began an elaborate & historically sensitive 3 year transformation. Every effort was made to meticulously restore the post and beam structure back to its original New England rustic beauty. This restoration included exposing the original pumpkin pine flooring, making use of the century-old “ice box”, and showcasing the historic 1800s track & pulley system that was used on the property when it was a working abattoir. It was at this time that the original beauty of the barn was revealed. While the original intent in the restoration process was to create an environment to continue the tradition of displaying fine art; it became obvious at the end of the restoration that Bob and Kathy had created much more than an art gallery. Hence, “Exceptional Image & Memorable Events - the Borsari Gallery - was born. A warm and elegant setting, filled with ambience; a perfect and certainly unique venue for intimate events for up to 100 people.
With a team of two people, I helped raise the value of the property through our brand positioning and art sales for a six-figure profit. I curated new artists, branded the gallery, curated art experiences, and built the website from scratch.
Logos & Graphics
Abby Wright Day
ahwphotographs@gmail.com
I am a multidisciplinary creative focused on visual storytelling, brand identity, and spatial design. My work brings art and philosophy into conversation, creating immersive environments and brand expressions that translate complex ideas into experiences people can connect with.
Alongside my exhibition and installation practice, I have developed commercial work across luxury and lifestyle sectors. I have shot advertising campaigns for Mitchell Gold + Bob Williams, created merchandise and branded apparel for the Sconset Casino, and developed branded experiences for high-end tennis facilities in Nantucket and gallery spaces on Cape Cod.
As part of my work with Marie Selby Botanical Gardens, I worked with my team on a exhibition centered on George Harrison’s life as a gardener and the restoration of Friar Park, in collaboration with Olivia Harrison. I designed a botanical wallpaper inspired by the landscape and archival material, which became a defining visual element of the exhibition and generated strong public demand. This project reflects my ability to translate heritage, place, and narrative into distinctive visual systems that resonate with a broad audience.
I have also collaborated with the Alexander Calder Foundation on an exhibition at Selby Gardens, and am currently developing an exhibition with Lynn Goldsmith. In addition, I created two exhibitions with Patti Smith, shaping environments that bring together image, text, and spatial experience. These collaborations reflect a consistent ability to work closely with artists, estates, and foundations to translate vision into cohesive public-facing work.
My work spans brand systems, campaigns, packaging, and physical environments, with a clear understanding of how each touchpoint contributes to a unified identity. I am experienced in leading projects from concept through execution, working across disciplines while managing production, timelines, and budgets. I approach design as both a creative and strategic discipline, ensuring that visual decisions support broader brand and business goals.
Abby received her Masters in Contemporary Photography; Practices and Philosophies from Central Saint Martins and holds a BFA in Photography from the School of Visual Arts. She has exhibited her own work at Saatchi Gallery in London, The Tate Modern, and The Ringling Museum, amongst others.